Harry Martinson (1904-78) sailed the oceans from 1920 to 1927 as an escape from an unhappy childhood in rural southwest Sweden. Returning to his native tracts, he devoted himself to writing and eventually became one of the best-known authors of his time, his books appealing widely both to academics and to the general reader. His election to the Swedish Academy in 1949 was seen as a gesture towards a generation of more or less self-educated working-class writers, and he shared the 1974 Nobel Prize in Literature with novelist Eyvind Johnson. Sections of the Swedish press responded with such vehemence to the way Academicians had rewarded two of their own that Martinson vowed never to publish again, and his last years were darkened by despair and depression as his view of the world became bleaker. His books reflect his upbringing, his travels and his interest in science and social questions. His poetry has many strands but the one most often admired is that which combines close scrutiny of the small events of the natural world with an intense awareness of cosmic distances in time and space. While his prose books have reached a wide readership in several languages, Martinson's poems have appeared only sporadically in English. Robin Fulton's translations provide the first substantial selection of Harry Martinson's poetry for English-language readers. His edition has an introductory essay by Staffan Soderblom, was a Poetry Book Society Recommended Translation and won him the Bernard Shaw Prize for Swedish Translation.

Author: Harry Martinson
Binding Type: Paperback
Publisher: Bloodaxe Books
Published: 10/21/2010
Pages: 192
Weight: 0.7lbs
Size: 8.40h x 5.40w x 0.70d
ISBN: 9781852248871

About the Author
Harry Martinson was born at Jamshog, Sweden, in 1904. He was left an orphan at an early age, and after a chequered childhood, in which the children's homes and institutions were as numerous as the escapes, he went to sea at the age of 16, spending six years of his life on board various ships and as a workman in foreign countries. It was from these travels and years of work in environments of all kinds that he later drew material and inspiration for his literary efforts - a couple of books of prose with glimpses, views and memories of the world of coal-heated ships during the 1920s. These accounts were followed a few years later by one or two books with an autobiographical strain and fictional recollections of a boarded-out child's existence, especially the child's own way of perceiving and trying to understand life and the people in it. Side by side with this psychological cognition of the childhood land of memory, there appeared some collections of poetry which were continued by degrees in a series of nature studies in prose, in which words and observation are combined in what the author has called 'thinking out in the meadow'. In a later work, the novel Vagen till Klockrike, the description of the human side is devoted entirely to the relationship between the settled and the itinerant man within ourselves. A world of journeying in a still wider sense emerges in Aniara, an epic work about an imagined space flight with a perspective in depth towards our own time. In it, jostling for room in our consciousness, are our fears and our questions as to where we are heading, together with the planet that our generation is treating as it does. Harry Martinson died in 1978. Harry Martinson's Chickweed Wintergreen: Selected Poems, translated by Robin Fulton with an introduction by Staffan Soderblom, is published by Bloodaxe Books in 2010.