From late medieval reenactments of the Deposition from the Cross to Sol Lewitt's "Buried Cube," Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely -- no truer to their first appearance than to their later reappearances.

In Depositions, Amy Knight Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of "dead images" during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated "deaths" of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book.

In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning on its head the pejorative (art-historical) use of the term pseudomorphosis -- formal resemblance where there is no similarity of artistic intent -- Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike.

Author: Amy Knight Powell
Binding Type: Hardcover
Publisher: Zone Books
Published: 10/04/2012
Series: Zone Books
Pages: 376
Weight: 1.6lbs
Size: 9.10h x 6.20w x 1.30d
ISBN: 9781935408208
Audience: Young Adult


Review Citation(s):
Library Journal 09/01/2012 pg. 100
Choice 11/01/2012

About the Author

Amy Knight Powell is Assistant Professor in Art History at the University of California, Irvine.