I'll never forget that first time a saw a New Orleans Mardi Gras Indian. I was driving home while the sun was setting and there was a flash of orange feathers. My heart jumped. I didn't take many photos that day, just three. Then, I handed my camera to some people with the Indians to take my picture with them. I was enamored from the start. Previous pictures I saw of the Indians focused on the suits blocking out the faces. With the incredible amount of work and art that went into these suits, I felt it was important to include the faces of these artists. It felt like it was no longer my art. It was an extension of what they were doing, and a way to honor what they had created. Their art is expensive and hard to do, and it isn't done for monetary gain. I admire that, and I relate. And over time we got to know each other very well. The Indians began asking me to come out with them to take pictures. The Black Feathers had me document the images of my monograph Let's Go Get Em' on St. Joseph's Night, when the Indians come out after sunset.

Author: Michelle Elmore
Binding Type: Hardcover
Publisher: Artvoices Art Books
Published: 10/10/2017
Pages: 170
Weight: 2.3lbs
Size: 12.05h x 9.06w x 0.63d
ISBN: 9780998748405

About the Author
Elmore, Michelle L.: - Elmore began traveling to New Orleans in 1989, fresh from personal loss. A decade later, she was living in the city with her young son Jack Marley, their lives centered around the people and places, the sounds and sights, the rituals and rhythms captured in these frames. She left New Orleans in 2005, after the flood that resulted from the levee failures that followed Hurricane Katrina. She had $69 in the bank, and had lost many of her personal possessions. But she thought to pack up and move her negatives two weeks earlier.