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The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this...

  • Name : Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present
  • Vendor : Cambridge University Press
  • Type : Books
  • Manufacturing : 2024 / 08 / 02
  • Barcode : 9781316516454
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Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present
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The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.

Author: Jennifer M. S. Stager
Binding Type: Hardcover
Publisher: Cambridge University Press
Published: 03/09/2023
Pages: 342
Weight: 2.6lbs
Size: 10.87h x 8.43w x 0.47d
ISBN: 9781316516454

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