The story of the British Royal Family told over a thousand years, with the reigns of every monarch sketched in a sharp, funny, and useful vignette of words and pictures--and the perfect gift for historians and royal watchers alike.

Which kings couldn't speak English, or stammered when they could? Who were "Softsword" and "Sailor Bill"? Which king had 10 children with his mistress but none with his queen? Which kings were crowned twice? Which queen reigned for only nine days? Which king disappeared?

Here is a comic strip with a difference, an alternative (and funnier) Bayeux Tapestry tracing every king and queen from Alfred the Great to Charles III--each of their vivid pen-and-ink-portraits encapsulating the personal quirks and dramatic social change of their reigns. The politics, passions, and pageantry of the English and later British Royal Family unfolds from 871 to 2023, showcasing the tyrants, eccentrics, warriors, and murderers, as well as the saints, scholars, patrons, and philosophers whose joint story this is.

A single-sheet poster-size booklet with the complete family tree of the families and dynasties on the back, The Comical Eye's British Monarchy is an educational and fun guide that will make sure you never view British history the same way again.

Author: Leo Schulz, Teresa Robertson
Binding Type: Paperback
Publisher: Selfmadehero
Published: 12/05/2023
Pages: 20
Weight: 0.1lbs
Size: 5.35h x 5.75w x 0.24d
ISBN: 9781914224140
Audience: Young Adult

About the Author
Teresa Robertson is a professional illustrator whose clients have included the British Council. Her ability to capture likeness in people has been honed in the London district of Highbury, where she is known for her portraits of families in their homes. She was a finalist in the John Ruskin Prize in 2015 and exhibited in The Inking Woman at the Cartoon Museum in London in 2017. She has an MA from the University of Cambridge in children's book illustration.
Leo Schulz originally studied history at Auckland University. He started his career as a journalist, eventually working at the Economist Intelligence Unit in London. He later moved to financial services, and it was while working in the City of London that he developed an interest first in architecture, and then in historical personalities, not least in Britain's many eccentric kings and queens.