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Aboriginal Canadians tell their own stories, about their own people, in their own voice, from their own perspective.
If as recently as forty years ago there was no recognizable body of work by Canadian writers, as recently as thirty years ago there was no Native literature in this country. Perhaps a few books had made a dent on the national consciousness: The Unjust Society by Harold Cardinal, Halfbreed by Maria Campbell, and the poetry of Pauline Johnson and even Louis Riel. Now, three decades later, Native people have a literature that paints them in colours that are psychologically complex and sophisticated. They have a literature that validates their existence, that gives them dignity, that tells them that they and their culture, their ideas, their languages, are important if not downright essential to the long-term survival of the planet.
Tomson Highway is a writer from northern Manitoba. His best-known works are the plays The Rez Sisters, Dry Lips Oughta Move to Kapuskasing, Rose, Ernestine Shuswap Gets Her Trout, and The (Post) Mistress, as well as the best-selling novel Kiss of the Fur Queen. He writes in three languages: Cree (his mother tongue), French, and English. As a classically trained pianist (who also writes music), he has studied with some of the finest teachers in Canada, most notably William Aide and Anton Kuerti.
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